Critical Curation Bibliography (draft)

Allen, Jennifer. 2007. “What Is to Be Done?” Artforum (May): 173–392.

Bauer, Ute Meta, Marius Babias. 2007. “Easy Looking–Curatorial Practice in a neo-liberal society.” 2007. Curating Critique, Special issue of oncurating.org 9, no. 11: 72-77.

Bishop, Claire, and Katherine Carl, eds. 2020. Decolonial Curating: Methods and Practices. New York: CUNY.

Bishop, Claire. 2017. “The Long View.” Artforum (September): 296-301.

______. 2019. “In the Bland Scheme of Things.” Artforum (September): 214-17.

______. 2019. “Rise to the Occassion.” Artforum (May): 198-204.

Bouteloup, Mélanie. 2012. “Tensions in Questions.” In Intense Proximity: An Anthology of the Near and Far. Ed. Okwui Enwezor, 35-43. Paris: Centre national des arts plastiques Tour Atlantique and Artlys.

Clifford, James. 2012. “The Times of the Curator.” In Intense Proximity: An Anthology of the Near and Far. Ed. Okwui Enwezor, 70-8. Paris: Centre national des arts plastiques Tour Atlantique and Artlys.

Cook, Sarah, Beryl Graham, Barnaby Drabble. 2007. “Curating Art afer New Media: On Technology, Transparency, Preservation and Play.” Curating Critique, Special issue of oncurating.org 9, no. 11: 7-10.

Eigenheer, Marianne, ed. 2007. Curating Critique. Frankfurt am Main: Institute for Curatorship and Education/Revolver.

Enwezor, Okwui. 2002. “The Black Box.” Documenta II_Platform 5. Stuttgart: Hatje Cantz Verlag.

_____. 2003. “Postcolonial Constellation: Contemporary Art in a State of Permanent Transition.” Research in African Literatures. 34, no. 4 (Winter): 57-82.

_____. 2007. “History Lessons.” Artforum (September): 382–5.

_____. 2012. “Intense Proximity: Concerning the Disappearance of Distance.” In Intense Proximity: An Anthology of the Near and Far. Ed. Enwezor, 18-34. Paris: Centre national des arts plastiques Tour Atlantique and Artlys.

Gillick, Liam. 2008. “The Fourth Way.” Art Monthly. no. 320: 320-21.

Griffin, Tim. 2003. “Global Tendencies: Globalism and the Large-Scale Exhibition.” Artform 42, no. 3 (November).

Heinich, Nathalie and Michael Pollak. 1996. “From Museum Curator to Exhibition Auteur: Inventing a Singular Position.” In Thinking about Exhibitions. Eds. Reesa Greenberg, Bruce W. Ferguson and Sandy Nairne, 231-59. London: Routledge.

Hopkins, Justin B. 2012. “Abstract and Brief Chronicles: Creative and Critical Curation of Performance.” Liminalities: A Journal of Performance Studies 8, no. 1 (April): 1-22.

Joachim, Joana. 2018. “‘Embodiment and Subjectivity:’ Intersectional Black Feminist Curatorial Practices in Canada.” RACAR: Revue d'art canadienne Canadian Art Review 43, no. 2: 34-47.

Karroum, Abdellah. 2012. “On the Impermanence of the Exhibition.” In Intense Proximity: An Anthology of the Near and Far. Ed. Okwui Enwezor, 44-9. Paris: Centre national des arts plastiques Tour Atlantique and Artlys.

Kreps, Christina. 2006. “Non-Western Models of Museums and Curation in Cross-Cultural Perspective.” In A Companion to Museum Studies. Ed. Sharon Macdonald, 457-72. Malden, MA: Blackwell Publishing.

Kuo, Michelle. 2015. “Global Entry.” Artform (May).

Lind, Maria. 2004. “Notes on Art, Its Institutions and their Presumed Criticality.” In Spin Cycle. Eds. Runa Islam, Damien Roach, Hiraki Sawa, Nav Haq. Bristol: Spike Island.

Marchant, Oliver. 2007. “The Curatorial Function: Organizing the Ex/Position.” Curating Critique, Special issue of oncurating.org 9, no. 11: 43-5.

Mouffe, Chantal. 2006. “Which Public Space for Critical Artistic Practices?” In Cork Caucus: On Art, Possibility, and Democracy. Eds. Shep Steiner and Trevor Joyce, 150-71. Frankfurt: Revolver.

Noack, Ruth, and Roger M. Buergel. 2007. “Words from an Exhibition.” In Curating Critique. Curating Critique, Special issue of oncurating.org 9, no. 11: 29-31.

O’Neill, Paul, and Mick Wilson, eds. 2010. Curating and the Educational Turn. London: Open Editions.

O’Neill, Paul, ed. 2007. Curating Subjects. London: Open Editions.

O’Neill, Paul. 2012. The Culture of Curating and the Curating of Culture(s). Cambridge, MA: MIT Press.

Reilly, Maura. 2018. Curatorial Activism: Towards an Ethics of Curating. New York: Thames & Hudson.

Richter, Dorothee. 2007. “Exhibitions as Cultural Practices of Showing: Pedagogics.” Curating Critique, Special issue of oncurating.org 9, no. 11: 47-52.

Rogoff, Irit. 2008. “What is a Theorist?” In On Knowledge Production: A Critical Reader in Contemporary Art. Eds. Maria Hlavajova, Jill Winder, Binna Choi. Revolver and Utrecht: BAK.

Schorch, Philipp, Conal McCarthy. 2019. Curatopia: Museums and the future of curatorship. Manchester University Press.

Sladen, Mark, ed. 2009. Nought to Sixty. London: ICA.

Steiner, Shep. 2008. “On Formalism and Tinkering with the Political on the Far Side of the Subject at documenta 12.” Journal of Visual Culture 7, no. 2 (August): 144-52.

Von Osten, Marion, and Peter Spillmann, eds. 2003. MoneyNations: Constructing the border, constructing East/West. Vienna: Selene Verlag.

Von Osten, Marion. 2007. “Producing Publics, Making Worlds! On the Relationship between the art public and the counterpublic.” Curating Critique, Special issue of oncurating.org 9, no. 11: 59-67.

Warner, Michael. 2003. Publics and Counterpublics. New York: Zone.

Willsdon, Dominic. 2008. “The Concept of Education at documenta 12.” Journal of Visual Culture 7, no. 2 (August): 219-23.